May 2018

Our Artistic Director, Sean Sears, was asked to share a few thoughts on his take on what theatre means to him...

I want to put down in writing what I think theatre is, and I guess I want to put down in writing what theater is. Theatre versus Theatre, y’know, the RE vs. the ER.

--The spelling thing; I get it all the time. Especially down South. That’s where I'm from. Down South. I had a friend that had someone look at them befuddled for ages when they said they work in theatre. It took 4 tries before they said “oh! You mean Thee-ATE-ER!” --

Mostly, it’s the art vs the space. Theatre, in its traditional sense is made up of the triptych; but instead of Father, Son, Holy Ghost (or Maiden, Mother, and Crone. Hi Mom) we have The Play, The Audience, and the Space.

My vision as the Artistic Director of Throughline Theatre is that it has to have all three to be Theatre. To be Theatre you gotta be doing a Play by a Playwright or you’re just doing something else: Improv, Performance Art, Standup, what have you.  It could have theatrical elements- in the same way a recording of all the songs of a Musical is not an actual Musical. It if it’s not a play by a playwright it's not theatre with an RE. I feel that there are only a few rules for it to be a play by a playwright;

1.       Anyone, or multiple anyone's, can be a playwright as long as they can in some way communicate their ideas  It doesn’t have to be written. Or language. Or words.

2.       The ideas inherent in the play have to be able to be performed as they are understood.

The Audience. You have to be doing this play for an audience. I did not say in front of an audience. In the days of Sarah Bernhardt (more on her and her wooden leg later) the audience could be in two types. With aisles in the middle or without. So boring. Without was called Continental and with was called American (who says were the most divisive we’ve ever been, amiright?)

Regardless of how many there are, where they are, or when they show up; someone, anyone, who is not involved with the show, in any way, and happens to see a moment, of any part of the show is; the Audience.If you saw a part of the show you weren’t supposed to see? Still Audience. What if you didn’t pay? Audience. What if the show has caused you such anguish in your normie stale has-been life as you must join the troupe RIGHT NOW!?! Audience; now go practice your 60 second edgy Mamet, Normie™.

Lastly, Space…The final frontier. About 20 years ago doing shows in weird spaces was super cool and fun. The Space, the last part of the triptych, this sacred third of our magical art pie? The only thing that makes it The Space™ is that you have chosen it specifically. In whatever rad space we find this time, in a renovated church, in your front yard at midnight at the full moon? That’s trespassing…but THEATRE!

All of the Pittsburgh artistic scene -Devised works, found spaces, immersive audiences. You should see them. All of them. Its a kind of magic you know. A holy magic. Maybe that’s why it comes in threes.

April 2018

Our Managing Director, Katherine Stienstra, wants to share how she got involved in Throughline...

A few years ago -after a brief hiatus from working in the theatre- the itch that starts when you have been away too long showed itself and I was called back. I love the theatre because it is intense, enriching, and thought-provoking, but I feel called because there is something undefinable about communicating with a live audience. At every performance a story is told and through that telling we are all left changed and transformed.

When I returned to the theatre was met with open arms by the wonderful group of artists at Throughline Theatre Company. Through this I have gained wonderful friends, a wealth of experience, and gratitude for the opportunity to do what I love. If you are like me and want to share stories, make friends, and bring opportunities to others- join us. We would love to see you at the theater.

Ubu Roi is playing 6/22-30 at Pittsburgh Playwrights Theatre.

November 2017

Our November update comes from our Assistant Production Manager, Dan Freeman. He fills us in on some of upcoming events and why we chose the plays in our 2018 season:

"Hello, friends of Throughline! Here we are in the doldrums of autumn, but the Pittsburgh theatre scene – as well as our company! – are vibrant as always. I am very excited for what’s to come to Throughline with our 2018 season. We have decided to curate a season of comedy! With the seemingly ceaseless stress of living in our world today, we at Throughline thought it would be a welcome relief to take a step back and let our wonderful audiences laugh their cares away. We will be producing The Inspector General, Ubu Roi, and Picasso at the Lapin Agile; these shows come from different times and different places, and represent a dynamic range of comedic techniques – but each is sure to have something to make ‘em laugh! I’m so thrilled to be able to work with such a talented group of theatre-makers, and hope you’ll be able to join us in 2018!"